Britney Spears Oops I Did It Again Acapella

2000 studio anthology by Britney Spears

2000 studio album by Britney Spears

Oops!... I Did Information technology Once more
Britney Spears - Oops!... I Did It Again.png
Studio anthology past

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Bombardment Studios
  • Electric Lady Studios, New York City
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Pop
  • dance-popular
  • teen pop
Length 44:37
Characterization Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Fourth dimension
(1999)
Oops!... I Did It Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Over again
  1. "Oops!... I Did It Again"
    Released: April 11, 2000
  2. "Lucky"
    Released: July 24, 2000
  3. "Stronger"
    Released: Oct 30, 2000
  4. "Don't Permit Me Be the Last to Know"
    Released: March 5, 2001

Oops!... I Did Information technology Again is the 2d studio anthology by American vocaliser Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Fourth dimension (1999), it is a pop, trip the light fantastic toe-popular, and teen pop record, the anthology incorporates a more funkier and R&B sounds. [ane] Contributions to the album'southward product came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[ii]

Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number one in over xx countries while peaking inside the top five in various other. In the United States, it debuted at number one on the Billboard 200, with starting time-calendar week sales of i.39 meg copies, becoming the fastest selling album by a female person artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This record was broken fifteen years later past Adele'due south 25, which sold over three.38 one thousand thousand copies in its outset week of release.[4] It became Spears' 2d sequent anthology to be certified Diamond by the Recording Industry Association of America, denoting sales of over 10 million copies in the U.s.a., making Spears at age 18 the youngest artist to have multiple diamond albums.[five] With worldwide sales of over 20 million copies,[six] Oops!... I Did It Over again is one of the all-time-selling albums of best.

Four singles were released to promote the anthology. Its championship track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its 2d single, "Lucky", peaked at number one in Austria, Deutschland, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Kingdom of denmark, Republic of ireland, Italian republic, the Netherlands, New Zealand, Norway, Poland, Romania and the United kingdom, and at number twenty-three on the US Billboard Hot 100. Its tertiary single, "Stronger", reached the top x in Austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United kingdom of great britain and northern ireland, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling unmarried off the anthology, receiving a Gold certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the Us. Its terminal single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number i in Romania, and within the top ten in Republic of austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several idiot box shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first fourth dimension on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Again Tour, starting on June twenty, 2000 and ending at the Stone in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the first album, I had just turned 16. I hateful, when I look at the anthology cover, I'm like, 'Oh, my lordy.' I know this next album's going to be totally different--especially the textile. I only got finished recording the first six tracks in Sweden two months agone, and the material is so much more funkier and edgier. And, of grade, information technology'southward more mature because I've grown as a person too."

—Spears on the progression of her material for the anthology.[vii]

Subsequently vacationing for six days following the completion of the ...Babe One More Fourth dimension Tour in September 1999,[viii] Spears returned to New York City to brainstorm recording songs for her adjacent anthology; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[ix] The songs "Oops!... I Did Information technology Once again", "Walk on Past" (after covered by Gareth Gates), "What U Come across (Is What U Go)", and "Don't Go Knockin' on My Door" were the get-go to be recorded at Martin's Cheiron Studios in the showtime calendar week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in Jan 2000. Spears recorded "Don't Let Me Exist the Last to Know" at Robert Lange'southward villa in Switzerland in Dec 1999; Lange produced the vocal.[ten] "Where Are You At present" was an outtake from ...Baby One More than Time. "Girl in the Mirror" and "Can't Brand You Love Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to tape Diane Warren'southward "When Your Eyes Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "One Kiss from You lot" was also recorded at Battery Studios but was later finished at 3rd Flooring in New York City. Spears also recorded the last track for the album "Beloved Diary" which would later be completed at Eastward Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her embrace of "(I Can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterward attending the 42nd Annual Grammy Awards.[13] [14]

Past Jan, the then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized cloth in New York City.[9] She was heavily pressured after ...Baby One More Fourth dimension 's huge commercial success, stating: "Information technology's kind of hard following ten million, I have to say. But afterward listening to the new material and recording it, I'g really confident with it."[fifteen] Upon the release of Oops!...I Did It Over again, Spears said: "I hateful, of course at that place'south some pressure", and added: "Only in my stance, [Oops!] is a lot improve than the first album. It's edgier – information technology has more of an mental attitude. Information technology'southward more me, and I remember teenagers will chronicle to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a year and a one-half afterwards Spears' debut amounts to "very smart timing. My philosophy is when you accept a young fan base, get 'em while they're hot."[16]

Music and lyrics [edit]

Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Baby One More Fourth dimension (1999),[1] percolating with a advisedly measured blend of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It'south not something I changed purposefully", Spears said of the album's sound and added: "Information technology's just something that kind of changed on itself with me being older. My vocalization has changed a little bit and I'm more than confident, and I recollect that comes beyond on the textile."[vii] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "Information technology has flavors of the original, simply information technology's a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to love it. And I made it so new and immature that the young kids that love Britney are going to love it. It'southward going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Permit Me Be the Last to Know", telling MTV News: "When you hear the song, it's and then pure and fragile. Information technology's simply one of those songs that pull you in", and added: "I think they wrote it 'especially for me, because the lyrics of the song, if you really listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'thousand saying."[xviii]

The title runway and opening song, "Oops!... I Did It Once again", was compared to her debut single, "...Infant One More than Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized crush. Lyrically, the vocal sees Spears alert to an overeager prospective lover: "Oops, yous recollect I'thou in dear/That I'm sent from above — I'1000 non that innocent."[nineteen] The vocal as well breaks down for a spoken-word interlude, involving a line from the movie Titanic (1997).[19] The second runway "Stronger" is a synthpop[xx] and R&B-infused rails,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness ain't killing me no more than" makes reference to the poetry "my loneliness is killing me" from her song "...Babe 1 More than Time".[xviii] Another R&B-infused track, which as well adds a bit more funk to the mix,[eighteen] "Don't Go Knocking on My Door" finds Spears confidently forging ahead afterwards a breakdown.[21] The fourth track, a comprehend of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the vocal into an urban stomp.[22] The dance-pop version also jettisons the song's terminal verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to record the vocal]", Spears said. "I was just like, 'I like this song,' and I call up information technology will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[24] The fifth rails, "Don't Let Me Exist the Last to Know", was co-written by country-pop singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who as well produced the track.[18] The carol, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of state twang into her vocals every bit she begs a lover to reveal his feelings: "My friends say y'all're into me ... just I need to hear it straight from you lot", she sings.[18]

The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh rails, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame tin be empty.[21] "If there's nothing missing in my life/Then why do these tears come at night?", she asks.[20] "School beat out" is the theme of "1 Buss from You",[21] a track that has a reggae-style beat and lyrics nigh the feelings of falling in dear, and the quickness of it,[25] with Spears cooing that after simply 1 kiss she sees her entire future with her lover.[26] The ballad "Where Are You Now" talks about wanting to know where a previous dear is, and what that person is up to, so that she tin finally let them go and find closure.[ citation needed ] Lines on "Can't Brand You Beloved Me", a Europop song,[22] state that fancy cars and money stake in comparison to true honey,[21] with Spears singing: "I'm simply a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written past songwriter Diane Warren, combines a cord section with a loping hip hop beat,[18] while Spears makes her ain songwriting debut on the pocket-size, keyboard-driven carol "Dearest Diary", which she said is autobiographical. On the track, she sings of wanting to get "so much more than friends" with a boy.[eighteen]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming album in Europe with live performances of her by songs. She appeared on Smash Hits in the Great britain.[27] In Italy, she did a curt interview on the television show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Spain, she gave an interview with El Rayo on September eight and October 24.[27] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied past NSYNC, who toured with her during a curt United Kingdom outing in October 2000.[28]

Oops!... I Did It Again was first released in Japan on May 3, 2000, and was later released in the U.s. on May 16. In the United States, Spears appeared on Sat Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People'south 25 Under 25 on May 26.[29] On May 10, she was interviewed on Tardily Dark with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC's Saturday Night Live. She also performed on NBC's The Tonight Prove with Jay Leno on May 23.[thirty] Spears' held her post-TRL listening party, "Britney's First Listen", on May sixteen, and was toast the arrival of her anthology on adjacent Tuesday'due south installment of TRL that started at three:30 p.m. (ET).[31] On May 14, she was at Times Square studios for ii hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV'due south All Access: Backstage with Britney that was broadcast on July 19, 2000.[27] On September seven, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a comprehend of the Rolling Stones'due south hitting single "(I Can't Get No) Satisfaction" (1965) and her own hitting "Oops!... I Did It Once again", released earlier that twelvemonth. While she began her segment in a black adjust, she shocked the audience and the media while, at just the age of eighteen, ripped it off to brandish a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Lord's day then she could tape a Fox boob tube special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Play a joke on concert effect was intended to serve as a preview of Spears' Oops!... I Did It Once more album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did Information technology Again, and on May ii, she had a press issue at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]

The album'due south supporting tour, the Oops!... I Did It Over again Bout, visited North America, Europe, and Brazil equally office of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did Information technology Again" and "Don't Let Me Be the Concluding to Know". On June 24, 2000, Spears was featured in a print and television ad campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in lx-second radio spots and was function of a pre-concert video presentation for Spears's fifty-urban center summer concert tour, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did It Once more" was released as the lead single from the album and accomplished worldwide popularity. It became Spears's third meridian-ten hit single on the U.s.a. Billboard Hot 100, peaking at number ix; withal, in comparing to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did It Again" a small disappointment.[38] The song peaked at number one on the US Mainstream Top xl,[39] holding the tape for the most radio additions in ane mean solar day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italian republic, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic scarlet shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean precious stone which Rose threw into the sea at the end of Titanic.[41]

The album's second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the Uk Singles Nautical chart.[42] In the Us, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears equally the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[43]

The third single, "Stronger", was released on October xxx, 2000 and became the album's 2nd highest-charting single in the Usa, peaking at number xi on the Billboard Hot 100 and number 1 on the Hot Single Sales.[38] It reached number seven on the Britain Singles Chart.[44] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[45]

The 4th and final single, "Don't Let Me Be the Last to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking within the meridian 10 in Republic of austria, Poland and Switzerland, while just missing the top x in Federal republic of germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional beau, played by French model Brice Durand.[47]

"Y'all Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Optics Say It" was released in the Uk in January 2001.[ citation needed ]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[49]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[17]
Christgau's Consumer Guide (choice cut) [50]
Entertainment Weekly B[22]
Los Angeles Daily News [51]
MTV Asia 8/10[52]
NME eight/x[20]
Rolling Rock [23]
Salon favorable[53]
Sonic.net [54]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once more received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album 4 out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'One More Fourth dimension'," but remarked that, "Fortunately, she and her production team not only have a stronger overall ready of songs this time, only they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album character autonomously from the well-crafted trip the light fantastic-pop and ballads that serve as its heart. In the end, information technology'south what makes this an entertaining, satisfying heed."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that tin't exist conjured with a drinking glass-shattering notation," praising the album for consistently cast[ing] Spears as a young woman coming to terms with her inner ability—and that'southward a darn good message to offer an impressionable audience."[17] Entertainment Weekly'south David Browne gave the album a B-rating, writing that the album "reminds us once again that the all-time new popular can exist a boom of cool air in a stifling room."[22]

Rob Sheffield of Rolling Stone gave the album a iii-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much better vocal-factory hooks than 'N Sync or BSB get", also noting that "the great affair about Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true kid of rock & roll tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a about, human grade", commenting that "she'due south done it again."[xx] Lennat Mak of MTV Asia named information technology "a brilliant 2nd album", writing that Spears "is armed with a more than mature and seasoned popular star look, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its message merely for the way it applies the conventions of the popular-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plough and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]

Accolades [edit]

Commercial performance [edit]

In the Us, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first twenty-four hour period of release.[62] It debuted at number 1 on the Billboard 200 nautical chart, with first-week sales of i,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-week sales by a female person artist.[66] This record was held for 15 years, merely to be surpassed in November 2015 past the album 25 by Adele, which sold over 3.38 million albums in the U.s. in its showtime week.[4] The album fell to number ii in its second week, with additional sales of 612,000 copies.[67] Information technology held this position for fifteen consecutive weeks.[68] [69] By its 5th week of availability, Oops!... I Did It Again had sold over 3 million copies and had passed five one thousand thousand copies by Baronial.[70] On its seventeenth calendar week on the chart,[71] it was certified septuple Platinum by the Recording Industry Clan of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-4 weeks on the Billboard 200, xxx-i weeks on the Canadian Albums Chart, and two weeks on the U.s. Catalog Albums.[74] Oops!... I Did It Once again debuted at number eighty-two on the European Summit 100 Albums, and quickly peaked at number one;[75] information technology sold over iv million copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did Information technology Once more reached number two on the Great britain Albums Chart,[40] selling 88,000 copies in the first week of release; information technology remained in the top five for iv weeks. The album debuted at number one in Canada, selling 95,275 copies in its first week.[77]

It topped the French Albums Chart[78] and the German Offizielle Top 100, also existence certified triple Platinum by the British Phonographic Manufacture (BPI),[79] double Aureate past the Syndicat National de fifty'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Chart, and spent x weeks in the top 20;[82] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the post-obit year afterwards shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Over again opened at number three on the New Zealand Albums Nautical chart and was certified Gold after just one week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[86] Oops!... I Did It Once again became the 3rd best-selling anthology of 2000 in the United States, selling vii,893,544 albums according to Nielsen SoundScan[87] and fourth acknowledged anthology according to Billboard Year-Finish of 2000.[88] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Association of America (RIAA).[89] [90] Also, the album landed at number twenty-seven on BMG Music Social club best best-sellers list with 1.21 million units, backside Shania Twain'south The Woman in Me (i.24 1000000) and Nirvana's Nevermind (1.24 1000000).[91] As of July 2009, the anthology has sold nine,184,000 copies in the United states of america, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Once more sold 2.5 million copies in its first week (second highest first calendar week sales by a female creative person worldwide) and sold 15 million copies by the end of the twelvemonth. It was the best-selling female album and 3rd all-time selling album of 2000. The album has sold 20 meg copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U See (Is What U Go)" and "Can't Brand You Honey Me" are "virtually identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all Run into Is What Y'all Get" in 1999 to ane of Spears' representatives for consideration on a future album, though it was rejected.[93] The case was later dismissed subsequently information technology was ruled that they lacked sufficient evidence and that at that place "weren't enough similarities between the two songs to testify copyright infringement."[94]

Track listing [edit]

Oops!... I Did It Once again  – North American edition[95]
No. Title Author(due south) Producer(s) Length
1. "Oops!... I Did It Once again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
4. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins four:23
5. "Don't Let Me Exist the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
six. "What U See (Is What U Become)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
seven. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
8. "Ane Osculation from You" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
iii:23
9. "Where Are Yous Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
iv:39
ten. "Tin't Make You Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
eleven. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
iv:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
two:46
Total length: 44:37
Oops!... I Did It Again  – International edition[96]
No. Title Writer(southward) Producer(south) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
thirteen. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[97]
No. Championship Writer(s) Producer(s) Length
11. "When Your Optics Say Information technology" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
four:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
xiii. "You Got It All" Rupert Holmes Eric Foster White 4:43
14. "Dearest Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Total length: 52:33
Oops!... I Did It Once more  – Japanese, Australian, Mexican, Asian and U.k. special edition[98] [99]
No. Championship Author(due south) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
four:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "You Got It All" Holmes White four:ten
14. "Middle"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dearest Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 55:34
Oops!... I Did Information technology Once again  – Australian special edition (bonus disc)[100]
No. Championship Length
ane. "Don't Allow Me Be the Last to Know" (Album version) iii:50
two. "Don't Let Me Be the Terminal to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Allow Me Be the Last to Know" (Hex Hector Social club Mix) 10:12
4. "Stronger" (MacQuayle Mix Show Edit) 5:21
5. "Stronger" (Pablo La Rosa's Tranceformation) 7:21
six. "Oops!... I Did It Over again" (Music video) four:11
7. "Lucky" (Music video) 4:07
8. "Stronger" (Music video) 3:37
9. "Don't Allow Me Be the Terminal to Know" (Music video) 3:51
Total length: xxx:52
Oops!... I Did Information technology Again  – Asian special edition (bonus disc)[101]
No. Championship Length
1. "Oops!... I Did It Again" (Music video) 4:20
2. "Lucky" (Music video) 4:xiv
three. "Stronger" (Music video) 3:47
4. "Oops!... I Did It Again" (Karaoke) 4:17
v. "Lucky" (Karaoke) 4:18
six. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Rail 4, "(I Can't Become No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a song producer

Personnel [edit]

Credits adjusted from AllMusic.[102]

  • Britney Spears – vocals, groundwork vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Stonemason, Sr. – editing
  • Bobby Chocolate-brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Bricklayer, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – cord engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – art direction, design
  • Mark Seliger – back cover, encompass photo
  • Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-upwardly
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – pianoforte, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal organisation, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – cord coordinator
  • Hayley Loma – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Factor Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – groundwork vocals
  • Jeanette Olsson – groundwork vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Encounter also [edit]

  • Listing of all-time-selling albums
  • List of acknowledged albums by women
  • Listing of all-time-selling albums in the Usa
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Once more has sold ix,201,000 copies in the United States according to Nielsen SoundScan,[185] with boosted 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly pop in the 1990s.[92]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [But Hits. Yr past yr. 1959-2002] (in Spanish). Madrid, Kingdom of spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

fiscusharfugher.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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